The Queen of the South

Swamped in papers and confusion and just general discontentment with life-- you know the kind that rolls around during finals season? Or the week before Thanksgiving when you realize you might not actually have time to eat any turkey because you'll be so busy writing four essays and trying not to stick a gun in your mouth? Yeah, that kind of feeling. So in lieu of me making lame jokes about pop music or boys or how I set off the fire alarm when I try to make breakfast (true story, it happened this morning -- I do believe that my brain may possibly be missing some sort of homemaker gene?), here's something somebody else wrote that is neither lame nor funny but kind of what life is all about:

"I wonder if you'll make a mistake someday and tell me you love me."
She turned to look at him when she heard his words. He was not upset with her, or in a bad mood. It was not even a reproach. "I love you, cabron."
"Of course you do." He was always making this joke. In his easygoing way, watching her, inciting her to talk, provoking her.
"You'd think it cost you money," he would say. "You're so cool... You've got my ego, or whatever you call it, beat to a pulp." And then Teresa would hold him, kiss his eyes, say I love you, I love you, I love you, over and over. Pinche Gallego piece of shit. And he would laugh as though it didn't matter to him, as though it were nothing but a simple pretext for conversation, a joke, and she were the one that should be reproaching him. Stop, stop. Stop! And in a minute they would stop laughing and stand facing each other, and Teresa would feel powerless at all the things that she couldn't do, while the male eyes would look at her fixedly, resignedly, as if crying a little inside, silently, like some kid running after the older boys that were leaving him behind. A dry, unspoken grief that made her feel so tender, and then she would be almost sure that maybe she did really, actually love this man. And each time this happened, Teresa would repress the impulse to raise her hand and caress Santiago's face in some way hard to know, explain, feel, as if she owed him something and could never repay him.

There are two kinds of men, she thought suddenly: Those who fight and those who don't. Those who take life the way it comes and say, Oh well, what the fuck, and when the spotlights come on put up their hands and say, Take me. And those who don't. Those who sometimes, in the middle of a pitch-dark ocean, make a woman look at them like she was looking at him now.